Showing Records: 141 - 160 of 298
Gore? It's Been Done Before / North, Richard D.; Phillips T; Furnival J., 1998
John Furnival writes a personal note on the top of a review article of the Sensations exhibition at the Royal Academy. The reviewer states, "Tom Phillips showed skulls at the Dulwich Gallery last year, and though they were not as gory as Marc Quinn's cranial efforts at the Sensation show, the availability of a comparison of the work of a grand old man and an Academician to boot, and the oh-so new offering of the anti-Academician tendency was telling. The theme of the body as the surprising temple of the spiritual is perennial and inexhaustible. But the new wave is adding very little, even in terms of style. The forms they are using have already been plundered, and have had the surprise knocked out of them." -- Source of annotation: Marvin or Ruth Sackner.
Graham Gillmore and Kenneth Goldsmith: Whose Words? / Cotter, Holland., 1998
Holland Cotter writes that at this exhibition at the Dorsky Gallery, "both artists, in different ways, give language a physical presence, making its formal shape and arrangement reflect nd determine its meanings. In the process, they contribute to a new (though very old) and interestingly nondidactic merging of art, poetry, and performance in late 1990's art." -- Source of annotation: Marvin or Ruth Sackner.
Hell and Back: Dazzling Qualities of Peter Greenaway's TV Dante / Hebert, Hugh; Phillips T., 1987
Review of Dante's Canto V produced by Tom Phillips and Peter Greenaway for television. -- Source of annotation: Marvin or Ruth Sackner.
Hyponia / Kellman, Tila; Sutherland WM., 1996
Review of an exhibition by W. Mark Sutherland. -- Source of annotation: Marvin or Ruth Sackner.
ICA Expo BPP/ Selective Notes On 3 Aspects: Review of Exhibition For Tlaloc / Houedard, Dom Sylvester., 1965
Ilse Bing, 81 Recalls 'Queen of Leica' Days / Cupic, C.G.., 1981
In This Exhibit, Clothes Make the Art / Kohen, Helen L.; Dill L; Lipski D; Goldsmith K., 1993
Inventing the Book / Accomando, Claire Hsu; Carrion U; Paz O; Ehrenberg F., 1986
Review of "Alternative Books/Libros Alternativos" at Southwestern College, Chula Vista, California. -- Source of annotation: Marvin or Ruth Sackner.
It Was the Thought That Counted / Lubbock, Tom; Houedard DS., 2000
Lubbock reviews an exhibition at Whitechapel titled "Live in Your Head." In it he writes, "In the age of ink jet and laser printing, it's amazing to see a text-based art that's so happy with the manual Olivetti. (But a conter-example: the most beautiful works in the show are the typewriter drawings of of the Benedictine concrete poet - lower case, please - dom sylvester houedard.)" This article along with its scanned counterpart and the cover of the exhibition catalogue is stored in the Houedard ephemeral and printed matter portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Japanese Print Show Is Worth Seeing / Ahlander, Leslie; Phillips T; Noel A; Mayer P; Lewty S; Sackner MA; Sackner RK., 1988
Jean Cocteau, Before His Own Fabulousness Consumed Him / Riding, Alan; Apollinaire G; Tzara T., 2003
This article reviews the Cocteau exhibition at the Pompidou Center in Paris; the Sackners attended that show. -- Source of annotation: Marvin or Ruth Sackner.
Jenny Holzer Makes Light of Poems and Beats Swords Into Paintings / Johnson, Ken; Holzer J., 2007
The exhibition installation at the Massachusetts Museum of Contemporary Art was titled "Projections." -- Source of annotation: Marvin or Ruth Sackner.
Kidnapped by Books / Rosof, Libby; Barron S; Ryan M; Rose D., 1997
Susan Barron is pictured showing pages ron "Labyrinth of Time." She spoke at the History of the Book Seminar in Special Collections aat the Van Pelt Library. -- Source of annotation: Marvin or Ruth Sackner.
Klee-esque Spirit of Argentine Visionary Shines Anew / Rohter, Larry; Solar X., 2005
This review of an exhibition of the work of Solar at the Buenos Aires Museum of Latin American Art (Malba) describes his work as mystical reveries that animate an alternative universe. -- Source of annotation: Marvin or Ruth Sackner.
Language as Sculpture, Words as Clay / Kennedy, Randy; Weiner L., 2007
This is a review of Weiner's first American retrospective held at the Whitney Museum of American Art. -- Source of annotation: Marvin or Ruth Sackner.
Language Destructed: Performance Artist Peter Rose at Reed College / Allan, Lois; Rose P., 1990
[Last Chance] / Phillips, Tom., 2005
Review of Phillips' exhibition at Flowers Gallery. -- Source of annotation: Marvin or Ruth Sackner.
Leon Ferrari: Politiscripts / Cotter, Holland., 2004
This is a review of Ferrari's exhibition at the Drawing Center in New York. -- Source of annotation: Marvin or Ruth Sackner.
Leonferrari 'Postscripts' / Cotter, Holland; Ferrari L., 2004
This is a review of an exhibition of Ferrari's drawings at the Drawing Center in New York. -- Source of annotation: Marvin or Ruth Sackner.